How Do I Get The Hair Off My Northface

Lavoiser - Carlos de Oliveira - Portuguese neorealism

Lavoiser

In the poem,

variable nature of words, nothing is lost

or creates

everything changes:

each poem in its

Profile

uncertain and calligraphy, is already dreaming

another form.

If poetry

assess any

its oscillation

inner

crystallized

another movement

thinner

that of the structure

which generate

millennia later

these imaginary flowers

calcareous

would

its micro rigor.

The bird, its anatomy

fast, full shape in a hurry, which condenses

just enough to be visible in the sky, without harming

;

other model Flights: clouds;

and light wind, leaves

now, astonished,

spreads its wings in the desert of the table;

try to cry out to the fake birds

that death is different:

cross the sky with a whisper of sweetness

and disappear.

The first form is still

elastic

other harden in the air, more angular, but they all weigh

,

developing laws of fall:

and fall; serious;

reduced to space of weight;

the flight is the unique abstract

or rather, the metaphor of the wings, which implies

things for hours without laws;

but the plural, the flights, no, make

forms clear,

the limit to their opacity;

and each pulse in the air, the weight back

bodies

of flight:

flights are returning.

Carlos de Oliveira " Lavoiser" by lado Sobre or Esquerdo

by Pessoa Oliveira

Modern Portuguese poetry

by Giuseppe Tavani

Modernism, Surrealism, Neo-realism

1973 Academy Ed

Link to Oliveira and poetry Portuguese

http://portugal.poetryinternationalweb.org/piw_cms/cms / cms_module / index.php? obj_id = 4645